Issue 217 | February 2023

 

In this issue:

MESSAGE FROM HARVARDWOOD 

NEWS

  • Harvardwood Feature Writing Intensive - Applications open February 6
  • Featured Job: Assistant, Talent (WME) - CA

FEATURES

  • Alumni Profile: Gaude Paez AB '96 (SVP, Riot Games)
  • Industry News
  • New Members' Welcome
  • Exclusive Q&A with Emily Halpern AB '02 (writer) and Sarah Haskins AB '01 (writer)
  • Meet the Harvardwood Staff!

CALENDAR & NOTES

  • Writing Comedy for Film and TV with Sarah Haskins AB '01 and Emily Halpern AB '02 (80 for Brady, Booksmart) - Thursday, 2/9
  • Entertainment & Media Communications with Gaude Paez (SVP and Head of Global Corporate Affairs, Riot Games) - Wednesday, 2/15
  • Harvardwood Lowdown with Craft Services - Tuesday, 2/21


Become a Harvardwood member
as we further engage in socially active programming, discourse, and action to help change the entertainment industry.

Want to submit your success(es) to Harvardwood HIGHLIGHTS? Do so by posting here


This month, we have applications available on February 6th for the inaugural Harvardwood Feature Writing Intensive

We also have some exciting programming coming up, such as Writing Comedy for Film and TV, where you can pick the brains of the people who made Booksmart as well as their new film 80 for Brady. The Entertainment & Media Communications talk with Riot Games executive Gaude Paez is also this month, as well as Harvardwood Lowdown with Craft Services, an online network and support system for emerging screenwriters and directors across the world

As always, we want to hear from you, our members -- if you have an idea for an event or programming, please tell us about it here. If you have an announcement about your work or someone else's, please share it here (members) and it will appear in our Weekly and/or next HIGHLIGHTS issue.

Please consider donating to Harvardwood
. Your donations are tax deductible!

Best wishes,

Grace Shi
Operations and Communications Associate
Harvardwood
[email protected]



 

INTRODUCING THE HARVARDWOOD FEATURE WRITING INTENSIVE - SPRING 2023

Have you been working on a feature film idea and just can’t seem to get the project off the ground?  Or did you start your feature only to find yourself shut down by writers block? Perhaps you even have a draft but feel you need to revisit the project. Introducing the Harvardwood Features Writing Intensive, where you can work with other Harvardwood members over 10 weeks to get to a strong and completed 1st draft of your script (or a similar milestone of your choosing).

Applications will open: February 6th, 2023
Deadline: February 24th, 2023
Notification of acceptance: March 15th, 2023
Intensive Modules will begin in the week of March 20th  
Please note – you will need to include the first ten pages of a sample script in PDF format.  This can be an excerpt from a pilot, spec script, feature, webisode, short, or stage play.

If accepted, you will meet in the evening once a week for 3 hours, either virtually or in-person or possibly in a hybrid format. There will be between 4-7 other Harvardwood writers in your group. This Intensive is for those who are serious about writing and are willing to not only work on and present their own projects, but to also review the work of others as part of weekly critiques and discussion. You will be expected to attend the weekly meetings with no more than 2 absences. The estimated time commitment per week could be as much as 20+ hours, including time for your personal writing. If accepted, the program fee will be $100 prior to your first meeting.


Featured Job: Assistant, Talent (WME) - CA

Job Description: 
WME is seeking an experienced Assistant for an Agent in our Talent Department. Applicants must have strong attention to detail, solid knowledge of basic business practices, and excellent oral and written communication. Ideal candidates will not be afraid of a heavy workload in a fast paced environment and supporting strong personalities. Excellent benefits and intercompany growth opportunity come with the position.

 Click here for more info!

 

Alumni Profile: Gaude Paez AB ‘96 (SVP, Riot Games)

Join Harvardwood for a virtual chat with Gaude on Feb. 15th. RSVP here!

amanda_micheli_cropped.jpgby Laura Frustaci

Gaude Lydia Paez AB '96 serves as Senior Vice President & Head of Global Corporate Affairs at Riot Games, the game developer and publisher behind blockbuster PC games including League of Legends and Valorant, and operator of the League of Legends World Championship, the most popular esports tournament in the world. In this role, she leads Riot’s global Communications, Corporate Social Responsibility and Government Affairs practices and serves as a member of the company’s executive management team.

Paez is an accomplished leader with experience in the global media and entertainment, technology, and advertising industries.  Previously, she served as Senior Vice President & Head of Corporate Communications at streaming service Hulu, where she led the communications organization during a period of growth that saw the company more than triple its base of paid subscribers and integrate into The Walt Disney Company’s global streaming portfolio. Among their many successes, Paez and team architected the company’s multi-year communications strategy supporting Hulu’s entrance into the live TV streaming market and its rise to become the largest digital MVPD service in the U.S. 

Prior to Hulu, Paez held leadership roles at Fox Broadcasting Company and Yahoo! Inc., and began her career in New York at global agency BSMG Worldwide (now Weber Shandwick). She holds a Bachelor’s degree in Psychology from Harvard University, recently completed her Masters in Business Administration at Oxford’s Said Business School and sits on the Board of Women in Film Los Angeles.

Gaude Paez AB ‘96 has had a long and incredible career as an executive and Senior Vice President at companies like Hulu, Fox, and currently, Riot Games. We sat down with Gaude to talk about all things exec: her career journey from start to finish, along with some of her best pieces of advice for those interested in the biz.

The most pressing question, of course, was what exactly brought her to where she is today? “I’d love to say that I had some grand plan when I graduated from Harvard and that I’ve strategically engineered my career into what it is today, but that would be a huge lie!” Gaude laughs. “I had no idea what I wanted to do with my life after college – I just knew that I enjoyed writing – so I moved to New York and took the first assistant job I could land that might allow me to make a living using my writing skills. That job happened to be at a communications/PR agency… and I’ve been in that field ever since.  So I feel very fortunate to have found a line of work that I was passionate about early on in my life.” You don’t hear that too often! 

From there, Gaude worked her way up with one very keen ideology: put yourself out there. “The most important moments throughout my career journey so far have been the ones in which I just put myself out there, even if I wasn’t sure I would succeed,” she explains. “For example, as an assistant, there was one afternoon when I’d overheard one of our account managers talking about how he had way too much work to do for one of his new clients. I decided to just take a stab at a few of the things he might need… I figured, “What do I have to lose?”  And it paid off – he liked my work and immediately made me a member of his core account team. That was my ‘graduation’ from administrative work.” Not many people would have been gutsy enough to do something like that– I hope readers are taking notes!

Now, a few years later, she’s pivoted over to the gaming industry, something she had little knowledge of before joining Riot Games. Gaude says, “Not only was the Corporate Affairs scope of the role broader than the oversight I’d had in the past, but it was at a video game company – an industry I didn’t know well at all… I worried, could I make an impact at a company even if I’m not a hard-core gamer? Two years in, I’m loving it and am really energized about the potential in this space. But if you’d asked me 20 years ago, I never would have predicted this is where I would be.”
Bros.jpg
Gaude joined Riot Games in the midst of the pandemic, and now, a little over two years later, there has definitely been a shift in industry trends and ideas. One thing Gaude hopes will continue on moving forward in the media space is the uptick in “really cool explorations with virtual entertainment and sporting events... Whether it’s concerts in Fortnite or a global premiere like the one we did for Arcane, there could emerge some pretty interesting ways of engaging fans really deeply on a global level that didn’t exist prior to the pandemic."

Snooping around Gaude’s LinkedIn profile, you’ll see that she astutely describes herself as a “strategic storyteller” -- I asked her what, exactly, that meant to her. “It’s the job of any communications pro to help tell a great story, whether that’s about a person, a company, a production, an industry, etc” she explains. “And if you work for a global company like I do, there are probably hundreds of really cool little stories you can tell about it… But for a story to have real impact and value to the company and brand, it must connect back to its core strategy. What is it trying to achieve? Who does it want to be to its customers? What, if anything, does it want to stand for? Those are the types of considerations I try to zone in on when crafting a narrative – so that each of the beats builds toward something much larger.”

The two mantras she brings with her to work every day that feed her success? Stay calm and be decisive. “As a communications practitioner, I am often dealing with PR crises or highly intense internal employee situations, and the best thing you can do to lead an executive team or a company through those instances is provide that sense of calm and steadiness amidst the chaos and have conviction in your recommended strategy.”

With such a history of great accomplishment, did Gaude feel like there’s ever been a time she made a mistake that taught her something valuable? “I don’t think there’s any one mistake I’d highlight, but in general, I think the times in my career when I’ve made the wrong call have been times when I’ve lost sight of the bigger picture… I’ve learned in those cases that it’s important to always take a few minutes to step back and try to objectively evaluate whether you’re actually addressing the goal.” On the flip side, something Gaude is proud of that she’s accomplished: “The moments in which I’ve been able to provide guidance or mentorship to younger professionals,” she reflects. “I was fortunate to have great mentors as I was coming up in my career, and I feel a sense of responsibility to pay that forward. Some of the most rewarding experiences I’ve had as a leader have been times when I’ve had the opportunity to counsel or coach team members or mentor folks outside of my team. I love meeting with younger colleagues and often learn a lot from those conversations myself.” Read on for more of Gaude’s advice below!

Jumping back to the very beginning of Gaude’s career, we asked how her time at Harvard may have had an impact. She had this to say in response: “Harvard was the place where I learned to think critically and understand through our coursework that there isn’t always a “correct” or “incorrect” answer to every problem. I also think that going through an experience like Harvard helped me dig deeper into figuring out who I am and what I’m good at. When you’re around so many brilliant people, you can no longer hang onto your old high school identity as ‘the smart one.’ You have to really get to know more about what you bring to the table and what your superpower is. And understanding that has really helped me make decisions about my career over the course of the past 20 years.”

Gaude had some excellent advice for young, aspiring executives: “Work hard. I know this sounds like a no-brainer, but I really do believe that working really hard to hone your craft is what can differentiate good from great. Bring a point of view. If you have been given a seat at the table, you’re there because someone believes you have a unique point of view. Don’t be afraid to share it! Ask questions: No matter how far along in your career you are, there are always going to be times when you feel lost or don’t understand something. Ask away! No one expects you to know everything just because you’re an exec. If you are excited about a job opportunity, just go for it: A lot of folks (especially us ladies) look at opportunities and focus on the experience and skills we DON’T have. If you believe you could be great at a role, throw your hat in the ring – even if you don’t check off every box in the job description. The worst thing that can happen is you won’t be chosen, and that’s okay.” 

In her free time, Gaude enjoys hiking with her husband and two German shepherds (named Sammy and Luna), spending time with family, reading, and doing yoga. She also tells us she’s just finished the latest season of Fauda. “So, if anyone wants to share thoughts on the season finale, hit me up!” Gaude concludes.


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Dayna_Wilkinson_headshot.jpgLaura Frustaci ('21) is an NYC-based actor and writer. She recently completed a yearlong Harvard Postgraduate Traveling fellowship in Edinburgh, Scotland, where she wrote her first full-length play. While at Harvard, Laura studied English and performed with the Hasty Pudding Theatricals, the HRDC, On Thin Ice, and  the American Repertory Theater.




Industry News

NBC has placed a series order for The Irrational, written and executive produced by Mark Goffman (MPP ‘94)! The drama follows a world-renowned professor of behavioral science as he lends his expertise to an array of high-stakes cases.

According to the Post and Courier, “If a nonfiction book has ever been written that qualifies as a hilarious tragedy, ‘Profiles in Ignorance’ is that book.” The book by Andy Borowitz (AB ‘80) has gained effusive praise since its release.

The Board of Directors for AMC Entertainment Holdings, Inc. has elected Denise “Dee” Clark and Keri Putnam (AB ‘87) to serve as Directors of the Company as of January 1st! Congratulations Keri!

“This will be a pop art Dracula.” So says Nic Cage about his Andy Warhol-inspired portrayal of Dracula in the upcoming film Renfield, which is directed by Chris McKay and produced by David Alpert (AB ‘97)! The film releases on April 14, 2023.

Oscar and Tony-nominated Ruth Negga has been tapped to star opposite Jake Gyllenhaal in Presumed Innocent, Apple TV+’s upcoming limited series executive produced by Dustin Thomason (AB ‘98)!

Bonnie Raitt (RAD ‘72), just nominated for 4 Grammys including Song of the Year, is featured on Rolling Stone’s list of the 200 greatest singers of all time! According to the article, “her sly, world-weary tone…is just as full of good times and good humor as downhearted blues.”

Ensemble Theatre Cincinnati (ETC) kicks off the new year with the regional premiere comedy Grand Horizons by award-winning playwright Bess Wohl (AB ‘96)! It's out with the old and in with the new (sort of) in this raucous story about a senior couple's divorce.

Benedict Cumberbatch is in talks to star in the upcoming Netflix limited Series Eric from Abi Morgan. Jane Featherstone, Lucy Dyke, and Carolyn Strauss (AB ‘85) of Sister will also executive produce, with Lucy Forbes directing.

Austin critics have announced the five best Austin films of 2022 - including ‘There, There’ by Andrew Bujalski (AB ‘98)! The article states that the film “[expands] the concept of the Zoom movie beyond the lockdown into a unique inquiry into the spaces between us.”

Award-winning actor, producer and CEO Tracee Ellis Ross has teamed up with Eddie Murphy for the holiday comedy Candy Cane Lane, which is directed by Reginald Hudlin (AB ‘83)!

Congratulations to Justin Hurwitz (AB ‘08) for winning best original score for Babylon, directed by Damien Chazelle (AB ‘07), at this year’s Golden Globes! Hurwitz is now four-for-four at the Globes working on Chazelle films exclusively.

AMC Networks’ untitled Walking Dead spinoff series has entered pre-production! Danai Gurira, one of the leads of the series, confirmed the news in an Instagram post. The series is produced by David Alpert (AB ‘97)!

FX has announced that the third season of Dave, the Dave Burd comedy series executive produced by Marty Bowen (AB ‘91) and created and executive produced by Jeff Schaffer (AB ‘91), will debut Wednesday, April 5 at 10 pm ET/PT on FXX and stream the next day on Hulu!

Ryan Murphy’s American Story spinoff American Sports Story is “heading toward production.” Executive produced by Marshall Lewy (AB ‘99), it is a scripted anthological limited series focusing and re-examining prominent events involving sports figures.

Netflix has released the official trailer for True Spirit, the upcoming coming-of-age drama produced by Debra Martin Chase (JD ‘81) that details how real-life Australian teenager Jessica Watson became the world’s youngest person to sail the world solo.

Josh Lieb (AB ‘94) has been nominated for a WGA award for his work on Hell of a Week with Charlamagne Tha God on Comedy Central! Congratulations Josh!

This year, SXSW will open with Dungeons & Dragons: Honor Among Thieves, an adaptation of the popular RPG directed by John Francis Daley and Jonathan Goldstein (JD ‘95)!

Paul Mescal is in negotiations to star in Gladiator 2, with Ridley Scott returning to the directing chair. Scott will also produce, along with Scott Free President Michael Pruss and Doug Wick & Lucy Fisher (AB ‘71) via Red Wagon Entertainment!

Jack Cutmore-Scott (AB ‘10) has been tapped to star opposite Kelsey Grammer in Frasier, Paramount+’s sequel series to the classic NBC sitcom! Cutmore-Scott will play Frasier Crane’s son Freddy. Congratulations Jack!

Kerry Washington, Oprah Winfrey and Sam Waterston are toplining Tyler Perry’s Six Triple Eight, the true story of the only all-black, all-female World War II battalion that proved key to the American war effort. The cast also includes Dean Norris (AB ‘85)!

Peacock has picked up a second season of the comedy series Pitch Perfect: Bumper in Berlin, in which Adam Devine reprises his role from the Pitch Perfect movie franchise. Megan Amram (AB ‘10) is the showrunner for the series!

The first official photo for Netflix’s forthcoming We Have a Ghost has been revealed (via Empire), providing the first look at David Harbour and Anthony Mackie’s characters. The project hails from director Christopher Landon and producer Marty Bowen (AB ‘91)!

Debra Martin Chase (JD ‘81) is among those that have been named special honorees at the 2023 Black Reel Awards, which celebrate the “excellence of African Americans and the cinematic achievements of the African diaspora in the global film industry!”

Britt Music & Art Festival announced Pink Martini featuring China Forbes (AB ‘92) will perform during the annual Best of Britt event in August! The performance is happening on August 24 at the Britt Pavilion in Jacksonville. It begins at 5 p.m.

Ido Samuel and Lihi Kornowski are the latest to join Hulu Originals limited series We Were The Lucky Ones in recurring roles. The series is led by Joey King and Logan Lerman and is executive produced and written by Erica Lipez (AB ‘05)!

Tatyana Ali (AB ‘02), who played Ashley Banks in The Fresh Prince of Bel-Air from 1990 to 1996, has joined the cast of the Peacock reboot Bel-Air! In the series’ upcoming second season, Ali will recur as Mrs. Hughes, the middle school English teacher.

James Wan’s Atomic Monster has teamed with Will Smith and Jada Pinkett Smith’s Westbrook Studios on Concrete Jungle, an urban nature docuseries. Terence Carter (AB ‘01) and Sahara Bushue will produce the project for Westbrook Studios.

Sullivan Jones and Lisa Gilroy have been cast as leads opposite Jimmy O. Yang in Interior Chinatown from creator/executive producer Charles Yu, Taika Waititi and 20th Television. Dan Lin (MBA ‘99), Lindsey Liberatore, and Elsie Choi will EP for Rideback!

Rage Against the Machine’s Tom Morello (AB ‘86) and Måneskin team up for their new single ‘GOSSIP’! The music video, which depicts the Italian rockers performing behind a glass wall, compliments the bare-all nature of the track and has a cameo from Morello.

The premiere of HBO’s The Last of Us, executive produced by Carolyn Strauss (AB ‘85), drew 4.7 million viewers, the second biggest premiere episode for HBO since 2010’s Boardwalk Empire.

Jennifer Garner (Alias) is returning to television in a gripping new mystery series, The Last Thing He Told Me, based on the #1 New York Times bestselling novel by Laura Dave. The series is co-created by Josh Singer (MBA ‘00, JD ‘01)!

In April, Yo-Yo Ma (AB ‘76, DMU ‘91) will be in Louisville for a five-day immersive residency with the Louisville Orchestra, with performances at the Kentucky Center’s Whitney Hall on April 27 and at the Mammoth Cave National Park on April 29!

Natalie Portman (AB ‘03) is set to narrate James Cameron's Secrets of the Elephants documentary, the latest in the ground-breaking and award-winning Secrets Of series helmed by James Cameron! It will premiere this coming April.

Apple Original Films has released a new trailer for the upcoming film Sharper starring Julianne Moore, Sebastian Stan, Justice Smith, Brianna Middleton, Darren Goldstein and John Lithgow (AB ‘67, ARD ‘05)!



New Members' Welcome

Harvardwood warmly welcomes all members who joined the organization last month:

  • Carmelita Bouie, Ext., LA
  • Lana Newishy, GSBA, NY
  • Christina Li, College, BOS/Campus
  • Robert Owen, College, BOS/Campus
  • Lucas Pao, College, BOS/Campus
  • Sophie Kim, College, BOS/Campus
  • Lollie Mckenzie, College, BOS/Campus
  • Yasmeen Khan, College, BOS/Campus
  • Jovonne Bickerstaff, GSAS, NY
  • Aviva Ramirez, College, NY
  • Arik Katz, College, BOS/Campus
  • Malia Clark, College, LA
  • Reddy Lee, College, BOS/Campus
  • Yeri Martinez-Vallejo, Ext., BOS/Campus
  • Andrei Mitoiu
  • Grace Bida, College, BOS/Campus
  • Jessie Van Leeve, HMS, Toronto
  • Carly Scanlon, Ext., BOS/Campus
  • Paige Bailey, HMS, Chicago
  • Kianna Mahony, Div, BOS/Campus



Exclusive Q&A with Emily Halpern AB '02 (writer) and Sarah Haskins AB '01 (writer)

Join Harvardwood for a virtual chat with Emily and Sarah on Feb. 9th. Get tickets here!

Emily Halpern AB '02 and Sarah Haskins AB '01 wrote the BAFTA and WGA-award nominated 2019 feature Booksmart. They received an Emmy nomination for their work on Black-ish and have written for numerous shows including Good Girls and The Real O'Neals. They also created Carol's Second Act for CBS and Trophy Wife for ABC. Halpern and Haskins are currently under a development deal at CBS Studios. The latest movie they wrote, 80 for Brady, will be released through Paramount Pictures this February starring Jane Fonda, Lily Tomlin, Rita Moreno and Sally Field.

Q: What is the story behind the inception of 80 For Brady? And what was it like getting such a star-studded cast to work on your film?

We were approached in winter 2020 by Donna Gigliotti, a producer on the film. By that point, the concept had found footing with producers; an agent at WME’s grandmother was member of a group of octogenarian women in Boston who called themselves ‘Over 80 for Brady’ and got together to root for the Patriots (and Tom) every weekend as a celebration of friendship and football. This agent thought their story could make a great basis for a film and brought it to Tom Brady. Thankfully, he agreed and came on board. At some point these various entities partnered with Fifth Season (then Endeavor Content.)

The concept immediately resonated with both of us. Emily is from Boston. Sarah loves sports. And we both loved the idea of writing another story of female friendship.

Getting the star-studded cast was, thankfully, not our job. From the project’s inception, though, producers thought this film could have great roles for iconic actors. We agreed.

Q: Director Kyle Martin said in a recent interview with The Hollywood Reporter that the four iconic female leads are all “character-forward,” with “jokes in the back seat,” and further noted: “That is how we wrote and angled the characters and how they performed it.” Do you agree with this evaluation? Was that similar to your approach for writing Booksmart?

We always try to lead with story and characters in our writing, and let the jokes follow organically. Emphasis on ‘try’ - it’s not easy to do, but it’s something we strive for. Because we find again and again that the strongest jokes are jokes germane to both story and character. Otherwise they often just feel random and don’t land.

Q: Coming off such a success as Booksmart, did that affect your writing process or mentality when starting this project at all? Was there anything you wanted to do differently with this film?

We were so lucky with Booksmart. It took ten years to get made and it’s a miracle that all the hands it passed through were additive and that everyone involved understood the essence of Molly and Amy. So if Booksmart affected our attitude toward this project it probably gave us hope that scripts can, one day, actually become movies. 

This project was different from Booksmart from the beginning – we were pitching on an existing idea, with cast and producers attached. But we loved the idea of telling another story about women and female friendships; we also liked the idea of telling that story for an older demographic. And the premise was so fun, we knew we’d enjoy writing it.

Q: It was a pretty long journey to get Booksmart made - 10 years, to be exact. How was that different from the process to get 80 for Brady made? How challenging is it to get a screenplay in front of someone, when it feels like Hollywood is shifting to be more risk-averse and streaming has hugely impacted big theater releases?

Booksmart was our own original idea and the first screenplay we wrote together, so we had a bigger hill to climb just getting people to read it. It’s also tough to sell a movie with teen girls as the leads, so we faced a number of hurdles from the outset. 80 For Brady was already set up; we came in and pitched our take and got the job. So that was one big difference. We’ve also found that it’s easier to get a movie made if Tom Brady is your producer and four iconic women are the stars.

Q: Sarah, you’ve talked a lot about how feminism has been important to you throughout your life - was writing a football movie (which is a generally male-coded topic) about four older women an act of feminism/pushing boundaries for you?

In this particular case it just felt real: I grew up in a family full of women who liked sports. My Mom and her female friends loved watching the Cubs. My gramma rooted for Notre Dame football. I still play on a basketball team with my sister. Emily and I are always conscious of writing our female characters as three-dimensional people, which, in some cases, is an inherently feminist/boundary pushing act. In 80 for Brady our goal was to depict these woman as great friends and passionate sports fans who also happen to be eighty years old. Their age is a significant part of their story and contributes to some of their challenges in getting to the Super Bowl, but it’s not the only important thing about who they are.

Q: How did you two become writing partners? What’s the secret to a good co-worker writing dynamic?

We’d been friendly in college, but didn’t know each other very well. When Sarah moved out to LA, we got dinner one night and started talking about how we both wanted to write a teen movie with overachieving girls at the center of the story. We loved the teen movie genre, but had only seen those movies with teen boys as the stars, and their goal was always to get laid. We wanted to write a teen comedy with young, smart women as the leads, and tell a story about their high school experience. We decided to try and write it together, mostly because we figured we’d be more likely to get it done that way. That eventually became Booksmart.

Q: Which experiences do you think prepared you both most for what you do now?

We are in our early forties biologically, but in our souls we are eighty. After college we took different paths before we ended up writing together. Emily moved out to LA, worked as an assistant for a while, and eventually got her first writing job on a military drama created by Shawn Ryan and David Mamet called The Unit. Sarah moved to Chicago and spent several years doing improv at Second City and other theaters there. It’s probably the amalgamation of our work and life experiences, and our respect for each other’s experiences, that enables us to stare at each other for hours a day on Zoom talking about imaginary people and what is happening to them.

Q: What do you see as the difference between writing for TV and writing for film?

In TV, the writer/creator tends to have the most creative authority over what eventually winds up on screen. Film is still a director’s medium; at the end of the day, the director has more say over the final product.

Also in TV, you’re turning out scripts one after the next. This can be a good thing, and it’s certainly nice for the job security. But it does mean you’re with the same project for a long period of time, especially in success. In film, once the movie is shot, the writer’s job is pretty much done. This can be both terrifying and liberating.

Q: How has the industry (both TV and film) changed post-pandemic? Do you think it’s more
challenging for writers to get their work seen or get into writers rooms? Or do you think
the pandemic opened up more opportunities with more things being remote?

This is a tough question and we’d hate to generalize –our friends and acquaintances have had a variety of experiences. It certainly has changed and it’s hard to pin down how and whether it was just the pandemic that did the changing or the other seismic changes sweeping through the business: streaming wars, the end of packaging, the way rooms are staffed, etc.

We’ve heard anecdotes from people who’ve found great jobs they never could have done without the Zoom/internet angle and we have friends who are frustrated.

This has always been a tough industry to break into and it will be a minute before it’s totally clear what the new barriers and avenues to access are – and to what extent these are more fair or unfair than what’s come before them.

Q: And finally, what’s the key to making something funny?

We’re not sure – please tell us if you find out.

See Sarah and Emily's latest film, 80 for Brady, out in theaters starting February 3, 2023!


 

Meet the Harvardwood Staff

Laura Frustaci AB' 21 (Director) 
Laura is an NYC-based actor and writer. After graduating from Harvard in 2021, she received the Henry Russell Shaw Postgraduate Traveling Fellowship and moved to Edinburgh, Scotland for a year. While there, she attended the Fringe festival and subsequently completed her first full-length play. Since moving to New York, Laura has worked on productions including The Marvelous Mrs Maisel, Feud: Capote’s Women, and the upcoming John Krasinski film Imaginary Friends, featuring Ryan Reynolds. She also made her New York theater debut in the New York Theater Festival this past fall. Laura is delighted to have the opportunity to lead Harvardwood and help further the org's meaningful and important mission in the arts/media/entertainment.

Laura Yumi Snell (Masters in Acting '18) (Programs Manager) 
Laura Yumi is an LA- and NYC-based classical pianist-turned-actor/producer/Zoom master. She was a singer-puppeteer in the Broadway tour of
Avenue Q, and she’s worked on stages and screens from Manhattan to Moscow and everywhere in between. After receiving her Masters in Acting from Harvard/A.R.T. in 2018, she co-founded SoHo Shakespeare Company and produced over a dozen shows in NYC. Laura Yumi is committed to teaching and inspiring young artists to pursue their dreams, and she is thrilled to join the Harvardwood team to coordinate programming that connects and elevates the artistic community. She loves matcha lattes, mindfulness exercises, and animals...especially her rescue dogs, Diamond and Rosie.


Grace Shi AB '22 (Operations and Communications Associate)
Grace is an LA/NYC/Where-ever-the-job-is based writer and producer. Born in Shanghai and after a series of diaspora stories, she graduated from Harvard in 2022 where she was the editor and comp director of the Harvard Lampoon. Since then, she has written comedy, sci-fi, and dramedy pilots and screen plays as well as participated in numerous programs and labs. She was a PA at Sundance, has been a writing assistant for an author, and is currently committed to writing the perfect dramedy about the diaspora, loss, and whatever Asian narrative is popular to pander to at this time, with the support and help of Harvardwood and its mission. Grace has a cat with no name with whom she is codependent.  

Connor Riordan AB '23 (Work-Study Intern)
Connor is a senior at Harvard College studying History and Literature with a secondary in AFVS on the film production track. An actor and writer, Connor has performed in one or more shows in every semester he’s been at Harvard and was recently cast as Anatole in Natasha, Pierre and the Great Comet of 1812 on the heels of playing Shakespeare in Something Rotten! last fall. His short screenplay [input] was selected as the winner of the Shorts category of the Harvardwood Writers Competition 2022 after he filmed it last year. After graduating, Connor is looking to act and write in NYC. Connor is grateful to be a part of Harvardwood and is excited to continue furthering its mission both on and off campus.

 


Writing Comedy for Film and TV with Sarah Haskins AB '01 and Emily Halpern AB '02 (80 for Brady, Booksmart) - Thursday, 2/9

Join us for a chat with Sarah and Emily (80 for Brady, Booksmart) as they discuss what it took to create their new film, 80 for Brady and talk shop about writing comedy for the big (and small) screens.

Emily Halpern and Sarah Haskins wrote the BAFTA and WGA-award nominated 2019 feature Booksmart. They received an Emmy nomination for their work on Black-ish and have written for numerous shows including Good Girls and The Real O'Neals. They also created Carol's Second Act for CBS and Trophy Wife for ABC. Halpern and Haskins are currently under a development deal at CBS Studios. The latest movie they wrote, 80 for Brady, will be released through Paramount Pictures this February starring Jane Fonda, Lily Tomlin, Rita Moreno and Sally Field.

Get tickets HERE

 


 

Entertainment & Media Communications with Gaude Paez (SVP and Head of Global Corporate Affairs, Riot Games) - Wednesday, 2/15

Join us for a conversation with senior executive Gaude Paez AB ‘96 (Riot Games, Hulu, Fox) about all aspects of communications, corporate social responsibility and PR in the global entertainment and media industry.

Gaude Lydia Paez AB '96 serves as Senior Vice President & Head of Global Corporate Affairs at Riot Games, the game developer and publisher behind blockbuster PC games including League of Legends and Valorant, and operator of the League of Legends World Championship, the most popular esports tournament in the world. In this role, she leads Riot’s global Communications, Corporate Social Responsibility and Government Affairs practices and serves as a member of the company’s executive management team.

Paez is an accomplished leader with experience in the global media and entertainment, technology, and advertising industries.  Previously, she served as Senior Vice President & Head of Corporate Communications at streaming service Hulu, where she led the communications organization during a period of growth that saw the company more than triple its base of paid subscribers and integrate into The Walt Disney Company’s global streaming portfolio. Among their many successes, Paez and team architected the company’s multi-year communications strategy supporting Hulu’s entrance into the live TV streaming market and its rise to become the largest digital MVPD service in the U.S. 

Prior to Hulu, Paez held leadership roles at Fox Broadcasting Company and Yahoo! Inc., and began her career in New York at global agency BSMG Worldwide (now Weber Shandwick). She holds a Bachelor’s degree in Psychology from Harvard University, recently completed her Masters in Business Administration at Oxford’s Said Business School and sits on the Board of Women in Film Los Angeles.

RSVP HERE

 


 

Harvardwood Lowdown with Craft Services - Tuesday, 2/21

Join us for the first Harvardwood Lowdown of the year, with special guest Nicky Weinstock AB '91!

Nicky will be discussing his platform CRAFT SERVICES: an online network and support system for emerging screenwriters and directors across the world. We'll also be joined by the Harvardwood leadership team: Allison Kiessling, Adam Fratto, and Mia Riverton Alpert. The Lowdown is a time to ask any questions about Harvardwood and learn more about the org. We'll also talk more about CRAFT SERVICES and how you can get involved.

CRAFT SERVICES is an online network and support system for emerging screenwriters and directors across the world. Free of cost, welcoming of diversity, and undaunted by geography, Craft Services is devoted to building the kind of global on-ramp into the creative entertainment business that – in the L.A.-centric ways of traditional Hollywood – has never existed before. 

Originally founded by Emmy-nominated producer Nicky Weinstock (Bridesmaids, Escape at Dannemora, Severance) during the pandemic to provide resources and information about the film and TV business to new and emerging writers, Craft Services now reaches over 300 members across Europe, Africa, Mexico, Australia, New Zealand, North America, and more. 

Our goals are to provide resources and a network of peers to aspiring screenwriters across the world; to inform new creators about current Hollywood trends and opportunities; to help new writers complete their scripts and gain greater exposure in Hollywood and professional circles; and to answer questions anyone may have about writing and creating movies & TV and how to launch their creative careers.

RSVP HERE

 

  

List of All Upcoming Harvardwood Events Here

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Become a Harvardwood member as we further engage in socially active programming, discourse, and action to help change the entertainment industry!

In these unprecedented times, we are doubling down on providing impactful programming that not only helps our membership build and further entertainment careers, but create socially active habits and spheres of influence and knowledge. The entertainment industry is changing before our eyes, and our recent programming is just the tip of the iceberg. We'd love your help in furthering this mission. In various capacities, we work hard to create programming that you, the membership, would like to be engaged with. Please consider joining Harvardwood and becoming an active member of our arts, media, and entertainment community

 


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